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This is great music any way you look at it. Even the dramatic title theme is friendly on the ear.Īnuradha Sriram provides the singing in this mostly instrumental track. " Waltz for a Romance" is used so beautifully here that if you close your eyes, you might for a second believe that you are sitting in the London or New York Philharmonic. Not many a Bollywood composer would know that composing a true waltz requires 3/4 measure (basically the 1-2-3, 1-2-3, 1-2-3 feel for the song). The two instrumental tracks here are so vastly different and thus show off A.R. Lata Mangeshkar singing in a comfortable range and devoid of the "processed" sound Jatin-Lalit seem to re-master for her? Even Udit Narayan - known for his belting at times - is toned down to sing in a soft, soothing manner. But what more beautiful a bhajan can you get than with Doubt it, but at least it puts my fears about Rahman in musical theatre to rest.)īhajan" Rahman has said in a recent interview, so he decides to include aīhajan in this one. (One wonders if this is any incite into the forthcoming Das is quite, quite competent at her new job. The English-Hindi/Western-Eastern contrast is actually quite cool. The portions combining the three singers are when the song gains more appeal. Vasundhara Das (of " Hey Ram" fame) does her best Elaine Page (for lack of any better English musical theatre women). Udit Narayan and Alka Yagnik sing the Hindi portions of this song while Incidentally, Udit Narayan is also singing here (which is easy to forget in Asha´s presence).Ĭhhori" is the run-of-the-mill love song elevated to a cut above by novel instrumental´s and the trio aspect of this song. Listening to her, you realize that none of the current crop of singers has the expressiveness of this diva. Asha Bhonsleĭoes something different from the sexy routine she´s done and done again (and done so well, though) with Rahman in the past. Jale" is the ched-chaad song done purana ishtyle with the hero and heroine teasing each other in religious analogy. Here´s another combination of powerful percussion and great melody.
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The anthem-like " ChaleĬhalo" with Rahman himself and Srinivas doing the duet thing succeeds in revving up the listener as much as it´s meant to rev up the Srinivas) are at their best here as usual. Udit Narayan and Alka Yagnik (supported by Sukhwinder Singh and " Mitwa" has a great melody and powerful percussion that carry the chorus through with nice romantic interludes in between. " Chale Chalo" are the " desh ki dharti" kisaan songs of the album. OK, it may not - but still the other songs hold up with a life of their own. Mahadevan, Shaan, and Kishori Gowariker - throng together in chorus and for that moment you think "it cannot get any better than this". Udit Narayan, Alka Yagnik, Sukhwinder Singh, Shankar There is a moment in this song where all of the singers. " Ghanan Ghanan" and its ode to rain as I mentioned before. The Kohinoor amongst the gems of this album is Combine his music with Javed Akhtar´s command of language and the result cannot be less then shear poetry. Mixing sounds from Indian classical, folk, and Western classical music - Rahman succeeds in creating a mood for the world of the film that somehow we know will be integral once the film releases. " Earth" and " Zubeidaa" and this is arguably the best of the lot.
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Rahman´s 3rd "period" album in Hindi after Rahman weave his magic web in the opening track of the soundtrack for " Ghanan Ghanan Ghan Ghanan Ghanan Ghan" - folks - rain has never sounded so exhilarating! "WOW!" is all one can say while listening to A.R. Singers: Lata Mangeshkar, Asha Bhonsle, Udit Narayan, Alka Yagnik, Sukhwinder, Shankar Mahadevan, Shaan, A.R. Starring: Aamir Khan, Gracy Singh, Rachel Shelley, Paul Blackthorne, Suhasini Mulay, Kulbhushan Kharbanda and Raghuveer Yadav Planet-Bollywood - Music Review - Lagaan Planet-Bollywood